Sigrún Inga Hrólfsdóttir perceives the subjective effects of natural substances, like endorphins, oxytocin, and estrogen, as colors. The visual manifestation of invisible forces such as conflict, desire, love, and well-being reveals a complex web of emotions, politics, science, and power dynamics. Her paintings draw from Abstract Expressionism, mysticism, and geometry, carrying with them strong symbolism and psychological and spiritual references. Sculptures, such as a uterus crocheted from conductive copper wire, emphasize the feminist view that life is built on cooperation and connection.
